Special Reports

By Los Angeles News Group, USA
(Originally In Au Lac Language)

 

An Evening Of Music And Poetry:

 

"Traces Of The Previous Life
 And Love Songs"

 

   [Long Beach] After receiving Master's gracious permission, Los Angeles fellow practitioners were privileged to organize an evening of music and poetry recitals after the Long Beach International 5-Day Retreat in December, 1996. The main objective of this event was to introduce Master's exquisite poetry and a selection of musical compositions by Au Lac artists.

From 5 o'clock in the afternoon of the 29th of December, group after group of formally dressed people made their way to the main entrance of the theater. Fellow practitioners joyously invited family members and friends. Lovers of poetry and those who were just curious, also came in large numbers. Soon, the Terrace Theater, located inside the Long Beach Convention Center, was packed. It is one of the most elegant and luxurious theaters in Southern California with a capacity of over three thousand people.

It was around 7:30 PM when Master arrived in a simple lavender Au Lac traditional "ao dai, Her hair loose down her back, resembling very much that of a literary muse. She shook hands and greeted people on Her way in, and spared about fifteen minutes so that photographers and reporters could take pictures and ask questions. The program started shortly after.

Au Lac musicians, artists and writers performed, including: Professor Tran Van An, musicians Pham Duy, Thu Ho, Le Dinh, Trinh Lam Ngan, the Nguyen Dinh Nghia family, singers Khanh Ly, Duy Khanh, Le Thu, Mai Huong, Duy Quang, Thai Hien, Tuan Ngoc, Thai Thao, Phuong Vu, My Huyen, Xuan Phat, Van Son, Hoai Linh, and others. The Masters of Ceremony for the program included actor Tran Quang, actress Mai Phuong, and singers Le Uyen & Phuong. The Los Angeles Center's dance group also performed.

The program consisted of three parts. The first part introduced Master's poetry accompanied by music composed by well-known musicians like Pham Duy, Le Dinh, Trinh Lam Ngan, Phuong Vu and, of course, Supreme Master Ching Hai. The second part or the program featured Au Lac love songs composed by Pham Duy, Thu Ho, Van Cao, Le Uyen & Phuong. The third part was an instrumental presentation of Au Lac and Western music with traditional Au Lac and tribal instruments played by the Nguyen Dinh Nghia family.

In his opening speech, Professor Tran Van An said: "If reading the spiritual poems from a female spiritual practitioner is an unusual thing, then reading love poems of one is quite an interesting discovery."

Musician Pham Duy also added: "Supreme Master Ching Hai's poetry not only "breaks the rules" for a spiritual practitioner, it's also the poetry of the spiritual journey; the journey of human life on the waves of the spiritual path -- the "baggage" is an open heart, the destiny is the realization of the Self and peace." Their sentiments was perhaps the same as the majority of the audience, securing their interest for the entire performance.

Master's poem recitals consisted of five CDs: Vo Tu I and II, and Traces Of The Past I, II and III. All poems were composed before or during Her spiritual journey. Although the gracious, elegant verses carried all emotions -- happiness, anger, love and resentment, just like the life of an average human being -- but they were written in a very light, elevated style, with not a trace of resentment. The famous artist, Pham Duy, observed that Master's poem is "a departure with no binding and a return with no partiality" This talented artist also commented that: "...in a rendezvous such as tonight, in this musical gathering, even though She has not preached anything, She is already with us in the journey back to the innocent time, back to the legendary land as mentioned in the poem."

Some in the audience extolled their praises: "It was quite exquisite! She is very talented," and "The poetry is very beautiful"; "No wonder She has so many disciples!"

Although Master had paid very close attention to the program, and was touched by the appearance of artists She had long admired, She did not forget to spare a few minutes to briefly address foreign disciples about the objectives of the performance. Naturally, She expressed Her admiration of these truly talented Au Lac artists.

Ironically, if the political situation in Au Lac had not driven these performers away, it would have been very difficult to see them perform together. However, there are still artists who remained, and today many live in poverty. Therefore, Master allowed the event to be organized to introduce these performers to the public and the proceeds from the performance will be sent back to Au Lac to help the artists there. In this way, She can express Her gratitude to all the artists who have contributed to the Au Lac culture through the years. After Master's speech the theater was filled with a thunderous, enthusiastic applause. The performances ended at 3 AM. (7 and a half hours of performance)