"Mountain folks - God's folks" is the term of endearment given to members of Formosa's indigenous ethnic groups by Supreme Master Ching Hai. To a question by a Zulu guest during Her 1999 South African lecture tour about the wide variety of races in the world, Master replied, "Since God is colorful and talented, just like Hes created different kinds of flowers to please us, Hes also created peoples with different skin colors, and we should feel pleased about this."

From May 3 to 28, 2003, the first Formosa Indigenous Wedding Exhibition was held at the Chiang Kai-shek Gallery of the National Chiang Kai-shek Memorial Hall in Taipei. The Taipei Center of the Supreme Master Ching Hai International Association participated in the event, where Master's artistic creations and more than sixty pure, colorful paintings by children from the island's indigenous cultures were displayed.

On May 2, at a press conference before the Exhibition's opening ceremony, one guest said that she could hear the sound of soft, beautiful singing reverberating in the venue. On learning that no music was being played at the time, she felt that what she had heard was Supreme Master Ching Hai's singing since she had heard Master's voice on earlier occasions. Fellow initiates believed that it had been our compassionate Master's spiritual manifestation form coming to bless everyone.

During the Exhibition, an art teacher said that after appreciating Master's paintings, he noted that they were natural without signs of deliberate polishing, and that their mood and meaning were presented in a pure, simple way. He added that since he had previously known of Master only through media reports and thus had had inadequate information about Her, it was an honor for him to get to know Her better by viewing Her work firsthand. Another visitor, Ms. Tan, an overseas Chinese, came especially to learn about Master's teachings, for she deeply admired Master's love, which made no discrimination among people of various races, skin colors or religions. After a thorough discussion with the sister acting as receptionist, the guest very much agreed with Master's teachings and requested many pamphlets before leaving.

This year, May 24 happened to fall on a weekend and on that date an indigenous costume show and awards presentation ceremony were held at the venue. The show was very refreshing because of the sophisticated design and exquisite tailoring of the costumes worn by the models and the harmonious singing of three aboriginal performers. In addition, scholarships and grants were presented to indigenous schoolchildren, while workers who had long been involved in aboriginal cultural activities and arts received awards.

The Supreme Master Ching Hai International Association not only participated in the Exhibition, but also provided many services such as decorating the venue, sponsoring research in indigenous arts, funding scholarships for outstanding indigenous children, and providing audio facilities and delicious vegetarian snacks. These efforts received a warm response from visitors to the Chiang Kai-shek Gallery, which radiated a loving light due to the social concern and support for indigenous people expressed at the event, which dispelled the gloom of the SARS epidemic in Taipei.

 

Elixir Vase

 

Ms. Wang Guangyu, executive director of a local community college, could hardly contain her tears as she gazed in appreciation at Master's Longevity Lamp "Fire Extinguishing Fan." And when she walked toward the lamp "Protection Power," tears gushed from her eyes all the more. Ms. Wang, who is from a well-known Formosan family, has had a satisfying career and happy family life, but she had never experienced such a profound vibration in her soul as she did at the Exhibition. After an explanation by fellow initiates at the venue, she realized that the experience was the result of the supreme blessings derived from Master's creations.

Ms. Wang made many comments as she appreciated Master's artistic works one by one. For example, she said that the subjects of the painting "Heavenly Flowers" were real, virtuous and beautiful flora that revealed to her the most beautiful side of life and that the work's awesome power was beyond her comprehension. Also, "The Flowers in the Heart Will Not Wither" expressed the highest possible state of ecstasy. Similarly, "Longing" evoked a sense of spiritual elevation as if Master were guiding her to the highest realm of life, along with a deep inner experience that transcended words. "Stone Cave" revealed to Ms. Wang the window of the soul that clears up human blindness and confusion. In addition, Master's bamboo lamp "Elixir Vase" was a very original masterpiece suggesting that Mother Earth gave birth to all creatures, and giving her a feeling of the spiritual beauty and unity of all things.

Stone Cave

Ms. Wang expressed her gratitude to Master for Her love in enlightening and elevating her soul in these brief encounters about the significance of Her creative works. A friend who came with her said that as a soul who refused to be polluted by the world, Ms. Wang had always been sincere and warmhearted, and it was therefore easy for her to be in tune with Master and feel Her love and powerful magnetic field.